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Pastoral Poems: Robert Frost and Seamus Heaney

Literature Discussion Group

Tuesday, August 19
7:00-9:00
Teaism at 8th & D Streets, NW
- meet downstairs
 
 

The Oven Bird (Robert Frost)

 

There is a singer everyone has heard,

Loud, a mid-summer and a mid-wood bird,

Who makes the solid tree trunks sound again.

He says that leaves are old and that for flowers

Mid-summer is to spring as one to ten.

He says the early petal-fall is past

When pear and cherry bloom went down in showers

On sunny days a moment overcast;

And comes that other fall we name the fall.

He says the highway dust is over all.

The bird would cease and be as other birds

But that he knows in singing not to sing.

The question that he frames in all but words

Is what to make of a diminished thing.

 

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For once, then Something (Robert Frost)

 

Others taunt me with having knelt at well-curbs

Always wrong to the light, so never seeing

Deeper down in the well than where the water

Gives me back in a shining surface picture

Me myself in the summer heaven godlike

Looking out of a wreath of fern and cloud puffs.

Once, when trying with chin against a well-curb,

I discerned, as I thought, beyond the picture,

Through the picture, a something white, uncertain,

Something more of the depths—and then I lost it.

Water came to rebuke the too clear water.

One drop fell from a fern, and lo, a ripple

Shook whatever it was lay there at bottom,

Blurred it, blotted it out. What was that whiteness?

Truth? A pebble of quartz? For once, then, something.

 

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Good-bye, and Keep Cold (Robert Frost)

 

This saying good-bye on the edge of the dark

And cold to an orchard so young in the bark

Reminds me of all that can happen to harm

An orchard away at the end of the farm

All winter, cut off by a hill from the house.

I don't want it girdled by rabbit and mouse,

I don't want it dreamily nibbled for browse

By deer, and I don't want it budded by grouse.

(If certain it wouldn't be idle to call

I'd summon grouse, rabbit, and deer to the wall

And warn them away with a stick for a gun.)

I don't want it stirred by the heat of the sun.

(We made it secure against being, I hope,

By setting it out on a northerly slope.)

No orchard's the worse for the wintriest storm;

But one thing about it, it mustn't get warm.

"How often already you've had to be told,

Keep cold, young orchard. Good-bye and keep cold.

Dread fifty above more than fifty below."

I have to be gone for a season or so.

My business awhile is with different trees,

Less carefully nourished, less fruitful than these,

And such as is done to their wood with an axe—

Maples and birches and tamaracks.

I wish I could promise to lie in the night

And think of an orchard's arboreal plight

When slowly (and nobody comes with a light)

Its heart sinks lower under the sod.

But something has to be left to God.

 

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Stopping by Woods on a Snowy Evening (Robert Frost)

 

Whose woods these are I think I know.

His house is in the village though;

He will not see me stopping here

To watch his woods fill up with snow.

 

My little horse must think it queer

To stop without a farmhouse near

Between the woods and frozen lake

The darkest evening of the year.

 

He gives his harness bells a shake

To ask if there is some mistake.

The only other sound’s the sweep

Of easy wind and downy flake.

 

The woods are lovely, dark and deep.

But I have promises to keep,

And miles to go before I sleep,

And miles to go before I sleep.

 

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Blackberry-Picking (Seamus Heaney)

 

Late August, given heavy rain and sun

For a full week, the blackberries would ripen.

At first, just one, a glossy purple clot

Among others, red, green, hard as a knot.

You ate that first one and its flesh was sweet

Like thickened wine: summer's blood was in it

Leaving stains upon the tongue and lust for

Picking. Then red ones inked up and that hunger

Sent us out with milk cans, pea tins, jam-pots

Where briars scratched and wet grass bleached our boots.

Round hayfields, cornfields and potato-drills

We trekked and picked until the cans were full

Until the tinkling bottom had been covered

With green ones, and on top big dark blobs burned

Like a plate of eyes. Our hands were peppered

With thorn pricks, our palms sticky as Bluebeard's.

We hoarded the fresh berries in the byre.

But when the bath was filled we found a fur,

A rat-grey fungus, glutting on our cache.

The juice was stinking too. Once off the bush

The fruit fermented, the sweet flesh would turn sour.

I always felt like crying. It wasn't fair

That all the lovely canfuls smelt of rot.

Each year I hoped they'd keep, knew they would not.

 

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Follower (Seamus Heaney)

 

My father worked with a horse-plough,

His shoulders globed like a full sail strung

Between the shafts and the furrow.

The horse strained at his clicking tongue.

 

An expert. He would set the wing

And fit the bright steel-pointed sock.

The sod rolled over without breaking.

At the headrig, with a single pluck

 

Of reins, the sweating team turned round

And back into the land. His eye

Narrowed and angled at the ground,

Mapping the furrow exactly.

 

I stumbled in his hob-nailed wake,

Fell sometimes on the polished sod;

Sometimes he rode me on his back

Dipping and rising to his plod.

 

I wanted to grow up and plough,

To close one eye, stiffen my arm.

All I ever did was follow

In his broad shadow round the farm.

 

I was a nuisance, tripping, falling,

Yapping always. But today

It is my father who keeps stumbling

Behind me, and will not go away.

 

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Digging (Seamus Heaney)

 

Between my finger and my thumb

The squat pen rests; snug as a gun.

 

Under my window, a clean rasping sound

When the spade sinks into gravelly ground:

My father, digging. I look down

 

Till his straining rump among the flowerbeds

Bends low, comes up twenty years away

Stooping in rhythm through potato drills

Where he was digging.

 

The coarse boot nestled on the lug, the shaft

Against the inside knee was levered firmly.

He rooted out tall tops, buried the bright edge deep

To scatter new potatoes that we picked

Loving their cool hardness in our hands.

 

By God, the old man could handle a spade.

Just like his old man.

 

My grandfather cut more turf in a day

Than any other man on Toner's bog.

Once I carried him milk in a bottle

Corked sloppily with paper. He straightened up

To drink it, then fell to right away

Nicking and slicing neatly, heaving sods

Over his shoulder, going down and down

For the good turf. Digging.

 

The cold smell of potato mould, the squelch and slap

Of soggy peat, the curt cuts of an edge

Through living roots awaken in my head.

But I've not spade to follow men like them.

 

Between my finger and my thumb

The pen rests.

I'll dig with it.

 

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Bogland (Seamus Heaney)

 

We have no prairies

To slice a big sun at evening--

Everywhere the eye concedes to

Encrouching horizon,

 

Is wooed into the cyclops' eye

Of a tarn. Our unfenced country

Is bog that keeps crusting

Between the sights of the sun.

 

They've taken the skeleton

Of the Great Irish Elk

Out of the peat, set it up

An astounding crate full of air.

 

Butter sunk under

More than a hundred years

Was recovered salty and white.

The ground itself is kind, black butter

 

Melting and opening underfoot,

Missing its last definition

By millions of years.

They'll never dig coal here,

 

Only the waterlogged trunks

Of great firs, soft as pulp.

Our pioneers keep striking

Inwards and downwards,

 

Every layer they strip

Seems camped on before.

The bogholes might be Atlantic seepage.

The wet centre is bottomless.

 

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Death of a Naturalist (Seamus Heaney)

 

All year the flax-dam festered in the heart

Of the townland; green and heavy headed

Flax had rotted there, weighted down by huge sods.

Daily it sweltered in the punishing sun.

Bubbles gargled delicately, bluebottles

Wove a strong gauze of sound around the smell.

There were dragon-flies, spotted butterflies,

But best of all was the warm thick slobber

Of frogspawn that grew like clotted water

In the shade of the banks. Here, every spring

I would fill jampotfuls of the jellied

Specks to range on window-sills at home,

On shelves at school, and wait and watch until

The fattening dots burst into nimble-

Swimming tadpoles. Miss Walls would tell us how

The daddy frog was called a bullfrog

And how he croaked and how the mammy frog

Laid hundreds of little eggs and this was

Frogspawn. You could tell the weather by frogs too

For they were yellow in the sun and brown

In rain.

   Then one hot day when fields were rank

With cowdung in the grass the angry frogs

Invaded the flax-dam; I ducked through hedges

To a coarse croaking that I had not heard

Before. The air was thick with a bass chorus.

Right down the dam gross-bellied frogs were cocked

On sods; their loose necks pulsed like sails. Some hopped:

The slap and plop were obscene threats. Some sat

Poised like mud grenades, their blunt heads farting.

I sickened, turned, and ran. The great slime kings

Were gathered there for vengeance and I knew

That if I dipped my hand the spawn would clutch it.

 

 

Biographical info

Robert Frost: http://www.poetryfoundation.org/archive/poet.html?id=2361

Seamus Heaney: http://www.poets.org/poet.php/prmPID/211

Additional reading

Seamus Heaney's Nobel Prize lecture: http://nobelprize.org/nobel_prizes/literature/laureates/1995/heaney-lecture.html